Arnold Schoenberg viewed himself as an extension of the German Romantic tradition. Schoenberg's early unpublished songs prove his indebtedness to nineteenth century music, but they also show a great deal that is strictly Schoenbergian. This paper investigates the musical elements that Schoenberg assimilated from tradition, especially from the great Lied tradition of the nineteenth century. lements that may be associated with his later works are also investigated, namely the 2rundgestalt principle, and his use of the "primal cell," a trichord set that appears in works of all his periods. This paper shows how these elements are manifested in seven early songs. These songs are from the Nachod collection, an assemblage of correspondence and early unpublished music manuscripts by Schoenberg. This collection is owned by North Texas State University.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc504048 |
| Date | 12 1900 |
| Creators | Russom, Philip Wade |
| Contributors | Dworak, Paul E., 1951-, Brothers, Lester Dwayne, 1945- |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 102 leaves: music, Text |
| Rights | Public, Russom, Philip Wade, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Page generated in 0.0031 seconds