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Previous issue date: 2013-12-14 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / The focus of this qualiquantitative research is the phenomenon we are denominating Drama-of-Rio-Grande-do-Norte, which contemplates short verse texts from the oral tradition, sung and presented on stage by women in communities on the south coast of the northeastern Brazilian State, Rio Grande do Norte. This tradition harkens to the medieval romance of the Iberian Peninsula (CASCUDO, 2001; GURGEL, 1999; GALV?O, 1993; MAGALH?ES, 1973; ROMERO,1977). The objective of this research is to: identify what characterizes the genre Drama of Rio Grande do Norte; situate this genre within a systemization of genres from the oral tradition in Rio Grande do Norte; investigate the interpersonal relationships of power and solidarity through the role of the women in the discourse, how they see themselves and others, pointing out which elements of the world they evaluate and to identify representations of the feminine in the discourse. The theory of Genre and Register of Martin and Rose (2008) and Generic Structure Potential of Hasan (1989, 1996), which has as a base the Systemic Functional Linguistics of Halliday and Matthiessen (2004), Eggins (1994) among others, offers a theoretical framework for the characterization of the genre through the identification of stages and phases configuring its typology the individual schematic structure and its topology its relation to other phenomena in the oral tradition. Other groupings were mapped of the ‗Macrogenre , from the model of Martin and Rose (2008) as a continuum on two axis: between the poles of how the genre circulates orally x in writing, and recited/individually x staged/collectively; as well as mapping the samples with relation to power using the same model, but with the poles of individual voice x collective voice on an axis between increased power and diminished power. Eleven texts described as Narratives and one Anecdote were selected for the analysis of Attitudes, and Negotiations of power. Through the quantification of semantic discursive resources in the discourse systems of Appraisal (MARTIN; WHITE, 2005) and of Negotiation (MARTIN; ROSE, 2007), as well as reflections about humor (EGGINS; SLADE, 1997) we identified the Attitudes and the Negotiations of interpersonal roles. The quantification is based on the theories of Corpus Linguistics (BERBER SARDINHA, 2010), using WordSmith Tools 5.0 (SCOTT, 2010). Our results show that the Drama-of-Rio-Grande-do-Norte is characterized as a Macrogenre in the Community of Oral Stories, in the Family of Street Theatre/Games, composed of five genre types: Narratives, Praise, Complaints, Anecdotes, and Exemplum. The Macrogenre is characterized by its being circulated orally, staged collectively and the texts analyzed configure in differing degrees of power between men and woman. In synthesis we observe that through humor, the Drama-of-Rio-Grande-do-Norte functions to offer a space for women to voice, comment, judge and orient about social conditions in their communities, such as alcoholism, domestic violence, inequalities before the law etc., as well as circulating positive appreciations of rural/coastal culture and judgments about the behavior of members of the speech community, the role of women being to establish and reinforce norms. We anticipate possible benefits of the addition of the genre analyzed in literacy projects in the schools of Rio Grande do Norte / O foco desta pesquisa qualiquantitativa trata do fen?meno que denominamos Dramas Norte-rio-grandenses, e compreende textos em versos curtos, da tradi??o oral, cantados e apresentados em palco por mulheres em comunidades no litoral do Rio Grande do Norte, uma produ??o que remonta ao romance da pen?nsula ib?rica medieval (CASCUDO, 2001; GURGEL, 1999; GALV?O, 1993; MAGALH?ES, 1973; ROMERO,1977). A pesquisa objetiva: identificar o que caracteriza o g?nero Drama Norte-rio-grandense; situar o g?nero dentro de uma sistematiza??o de g?neros discursivos de tradi??es orais norte-rio-grandenses; investigar as rela??es interpessoais de poder e solidariedade pelo papel das mulheres no discurso, como estas se avaliam e avaliam os outros;apontar quais elementos do mundo avaliam; e identificar as representa??es do feminino no discurso. A teoria de G?nero e de Registro de Martin e Rose (2008) e Estrutura Potencial do G?nero de Hasan (1989, 1996), que tem como base a Lingu?stica Sist?mico-Funcional de Halliday e Matthiessen (2004), Eggins (1994) dentre outros, fornece o arcabou?o te?rico para a caracteriza??o do g?nero discursivo pela identifica??o de est?gios e fases configurando sua tipologia a estrutura esquem?tica individual e sua topologia a sua rela??o com os demais fen?menos da tradi??o oral. Ademais, outros agrupamentos foram feitos do ‗macrog?nero a partir do modelo de Martin e Rose (2008), num cont?nuo entre dois eixos: os polos de circula??o oral x escrita e declamado/individual x encenado/coletivo, bem como um mapeamento dos exemplares a respeito de poder utilizando o mesmo modelo com os polos de voz individual x voz coletiva num eixo entre poder acentuado e poder reduzido no outro. Onze textos de dramas do tipo Narrativa e uma Anedota foram selecionados para a an?lise das atitudes e negocia??es de poder. Pela quantifica??o de recursos sem?ntico-discursivos nos sistemas discursivos de Avaliatividade (MARTIN; WHITE, 2005) e de Negocia??o (MARTIN; ROSE, 2007), bem como reflex?es sobre o humor (EGGINS; SLADE, 1997), identificamos as atitudes e as negocia??es de papeis interpessoais. A quantifica??o est? embasada nas teorias da Lingu?stica de Corpus (BERBER-SARDINHA, 2010), utilizando a ferramenta computacional WordSmith Tools 5.0 (SCOTT, 2010). Como resultados, caracterizamos o Drama Norte-rio-grandense como um Macrog?nero da Comunidade de Est?rias Orais, na Fam?lia de Brincadeiras/Teatro da Rua, composto por cinco tipos de g?neros: Narrativa, Elogio, Reclama??o, Anedota, e Exemplo. O Macrog?nero caracteriza-se pela circula??o oral, encena??o coletiva, e os textos analisados configuram-se em graus de poder variados. Sintetizamos que, pelo vi?s do humor, o Drama Norte-rio-grandense funciona como um espa?o que permite a voz feminina dizer, comentar, julgar e orientar sobre condi??es sociais nas comunidades em que s?o encenados, tais como alcoolismo, viol?ncia dom?stica, desigualdades perante a lei, etc., al?m de circularem aprecia??es positivas da cultura rural/litoral e julgamentos sobre comportamentos dos membros da comunidade de fala, o papel das mulheres sendo o de estabelecer e refor?ar normas. Antecipamos poss?veis benef?cios da inser??o do g?nero analisado em projetos de letramento nas escolas do Rio Grande do Norte
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/16375 |
| Date | 14 December 2013 |
| Creators | Cooper, Jennifer Sarah |
| Contributors | CPF:07367936824, http://lattes.cnpq.br/5463585749303495, Souza, Anderson Alves de, CPF:00673716716, http://lattes.cnpq.br/2714646338730914, Costa, Marcos Antonio, CPF:21065853300, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4798549T9, Alves, Maria da Penha Casado, CPF:24162906491, http://lattes.cnpq.br/7377731555637172, Vian J?nior, Orlando |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Estudos da Linguagem, UFRN, BR, Lingu?stica Aplicada; Literatura Comparada |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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