In live sound reinforcements scenarios, the majority of the audience is placed in a non- optimal listening position and will not experience the stereophonic image as intended by the mixing engineer. This study was conducted to examine the impact of a central loudspeaker source and phantom center, on the stereophonic image from different listening positions. Sixteen subjects, consisting of audio engineering students and professionals, were subjected to an optimal and non-optimal listening position and a three channel and stereo system, and was asked to estimate the perceived location of a stimulus, consisting of a 40 ms 1 kHz tone, placed on five different locations within the panorama. The results of these test were then summarized and analyzed by utilizing three t-tests in order to examine; the difference between perceived and intended location for each combination of system configuration and listening position, the difference between the listening positions and the difference between system configurations. The results show that a three-channel system is less affected by the listening position than a stereo system, indicating that a three-channel system can provide a more similar experience to audience members regardless of their listening position. However, the preference of system configuration is not examined and should be examined before making the claim that one system configuration is superior. The number of t-test conducted may also have impacted the results and provided a false significance. Subsequent studies could be made to confirm or reject the results of this study.
Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:ltu-78938 |
Date | January 2020 |
Creators | Lundström Thunderlin, Joacim |
Publisher | Luleå tekniska universitet, Medier, ljudteknik och teater |
Source Sets | DiVA Archive at Upsalla University |
Language | English |
Detected Language | English |
Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
Format | application/pdf |
Rights | info:eu-repo/semantics/openAccess |
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