Franz Liszt, who was the greatest virtuoso pianist in the nineteenth-century, was also a productive composer. But his tremendous technique brought the misunderstanding that his compositions were just flashy and superficial, thus creating an obstacle for appreciating his music. The purpose of this study is to encourage an understanding of the value of Liszt's music, especially his Schubert Lieder transcriptions. The study starts with an introduction, which states the revival of the art of transcription, gives the muscial background of Liszt and describes the instruments that were available to him. Then follows a discussion about his experimentation with the conventional piano techniques and how he applied them to the song transcriptions. Two transcriptions "Hark, Hark, the Lark" and "Der Lindenbaum" are analyzed in detail to show the transcriptive procedure and the relation between the poetry and the musical expression. A conclusion summarizes the study.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc331037 |
| Date | 08 1900 |
| Creators | Ku, Hsiao-hung |
| Contributors | Walz, Larry G., Cho, Gene J., Banowetz, Joseph |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | x, 40 leaves : music, Text |
| Rights | Public, Ku, Hsiao-hung, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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