English Summary The present thesis deals with the various ways in which Anglophone literatures form their canon(s) in the Czech context. In doing so, it treats literature as one inseparable whole, consisting of poetry, prose and literary criticism. The latter is not understood as auxiliary literature, but rather as a self-sufficient form that deserves equal attention to so-called "creative writing"; after all, all the three major literary forms inevitably participate in canon formation, albeit in their own respective ways. The process of canon formation takes different turns and yields different results in the original, i.e. Anglophone, milieu and in the Czech context - and the canons that thus arise differ as well. Moreover, the debate on canons is always being complicated by their essentially unstable, variable nature; by definition, the process of canon formation is unfinished and interminable. Canons are not to be viewed as the be-all and end-all of literary analysis but rather as guideposts, useful tools that stimulate further study and permanently invite questioning and revisions of themselves. In spite of this fundamental - and quite simple - purpose, the literary canon is an extremely complex and intricate concept. The complexity of its meanings and its implications is dealt with in the thesis'...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:358074 |
| Date | January 2017 |
| Creators | Onufer, Petr |
| Contributors | Procházka, Martin, Hilský, Martin, Nagy, Ladislav |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/doctoralThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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