Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, 2006. / Submitted by Priscilla Brito Oliveira (priscilla.b.oliveira@gmail.com) on 2009-11-14T01:22:26Z
No. of bitstreams: 1
2006_Salma Divina da Silva.pdf: 361524 bytes, checksum: c7bf50d2028a7371c479b573049b47e5 (MD5) / Approved for entry into archive by Gomes Neide(nagomes2005@gmail.com) on 2010-12-16T18:49:51Z (GMT) No. of bitstreams: 1
2006_Salma Divina da Silva.pdf: 361524 bytes, checksum: c7bf50d2028a7371c479b573049b47e5 (MD5) / Made available in DSpace on 2010-12-16T18:49:51Z (GMT). No. of bitstreams: 1
2006_Salma Divina da Silva.pdf: 361524 bytes, checksum: c7bf50d2028a7371c479b573049b47e5 (MD5)
Previous issue date: 2006 / Este estudo baseia-se na relação conflituosa do homem com o seu destino mortal e o desejo de escapar a ele por meio da produção imaginária que, segundo Gilbert Durand, se constitui numa defesa contra o tempo e a morte. O objetivo principal é evidenciar o trajeto antropológico que o mito de Pigmalião, recriado no contexto atual, percorre entre o pólo subjetivo, representado pelas forças psicológicas e biográficas, e o pólo objetivo das manifestações sociais. Nesse sentido, o mito é abordado como representação do homem contemporâneo que, para burlar os efeitos do tempo e o advento brutal da morte, propõe a transformação do próprio corpo por meio da ciência e da arte, reinventando-se a si mesmo. Os métodos utilizados para este estudo são a mitocrítica, que analisa a recriação do mito na literatura, e a mitanálise, que investiga a manifestação mítica no contexto sócio-históricocultural. _______________________________________________________________________________ ABSTRACT / The present study is based on the conflicting relation of mankind with their mortal destiny and their desire to escape from death by means of imaginary production, which according to Gilbert Durand, constitutes into a kind of defense against time and death. The main objective is to highlight the anthropological route in which the Pigmalion myth – reinvented in the modern context – goes through the subjective pole, which is represented by the psychological and biographical forces, and the objective pole of the social manifestations. Therefore, the approach to such myth is taken here as the representation of the contemporary man who, in order to deceive the effects of time and the brutal arrival of death, proposes the transformation of his own body through science and art by reinventing himself. The methods adopted in this study are the myth criticism, which analyses the recriation of myth in literature, and the myth analysis, which investigates the mythical manifestation in our social, historical and cultural context.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.unb.br:10482/6193 |
| Date | January 2006 |
| Creators | Silva, Salma Divina da |
| Contributors | Araújo, Ricardo |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis |
| Source | reponame:Repositório Institucional da UnB, instname:Universidade de Brasília, instacron:UNB |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0026 seconds