The essay briefly contextualizes the field of my compositional interest and accordingly proceeds to examine sound, space, and time from different grounds. The intention of this preliminary exercise is to derive a revised notion of onkyō (sound) in relation to time, which will be useful to comment on my works. The compositional approaches presented here do not only involve the use of computers, but also the acoustic and physical shaping of sound and attempts at incorporating yet more complex historical and cultural aspects of sound in composition. Where necessary, hard- and software technologies specific to the works have been devised and research papers published. These are also discussed.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:636829 |
| Date | January 2015 |
| Creators | Morimoto, Yota |
| Publisher | University of Birmingham |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://etheses.bham.ac.uk//id/eprint/5644/ |
Page generated in 0.002 seconds