While there have been a number of publications in the last few years that describe the origins and progression of the reggae from Jamaica, much less attention has been given to other popuiar forms of black music from the English-spealdng West Indies. A particular omission is the nineteenth-century background to such evolutions. The primary objective of this study is to address this lacuna and to explore dynamics of continuity and change in these musical developments.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:541223 |
| Date | January 1992 |
| Creators | Cowley, John |
| Publisher | University of Warwick |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://wrap.warwick.ac.uk/34726/ |
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