In this doctoral dissertation I seek to reassess the innovativeness of the young Corduban poet Lucan’s masterpiece, the Civil War. Faced with the abrupt closure of Lucan’s poem 546 lines into Book 10, I adopt the view propounded by Haffter, Masters and Tracy, that what most have taken as incompletion brought on by the poet’s premature death in 65 CE is in fact a deliberate artistic decision. I then argue back from this view and reread several key features of the poem as manifestations of the same deliberate bodily incompleteness, the same sudden mutilation of a voice that the ending of the poem as we have it presents. My dissertation consists of two macro-sections, one on the structural and thematic characteristics of Lucan’s Civil War, and one on the characterization of the two antagonists most actively involved in the conflict: Julius Caesar, himself the author of an incomplete prose account of the very civil war that Lucan chooses to focus on; and Pompey the Great, a broken man whose mangled body reproduces at the microcosmic level the lack of finish exhibited by the textual body of the poem itself.
| Identifer | oai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/d8-294j-ky87 |
| Date | January 2020 |
| Creators | Crosson, Isaia Mattia |
| Source Sets | Columbia University |
| Language | English |
| Detected Language | English |
| Type | Theses |
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