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Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi, --

This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore the work of John Zorn; how time is perceived in acoustic collage music and the concept of "super tempo"; musical quotation and appropriation in acoustic collage music; the definition of acoustic collage music in relation to other acoustic collage works; and musical montages addressing the works of Charles Ives, Lucciano Berio, George Rochberg, and DJ Orange. The last part of this paper discusses the compositional process used in the works Tempered Confetti and Venni, Viddi, – and how all issues of composing acoustic collage music are addressed therein.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc862786
Date08 1900
CreatorsCampbell, Andrew (Andrew S.)
ContributorsKokoras, Panayiotis, 1974-, Nelson, Jon Christopher, Klein, Joseph, 1962-
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatvi, 83 pages : illustrations, music, Text
RightsPublic, Campbell, Andrew (Andrew S.), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.

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