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Previous issue date: 2016-12-13 / Este trabalho trata de um estudo dos aspectos t?cnico-interpretativos da obra ?Tr?s Tocatas Armoriais?, do compositor potiguar Danilo Guanais (1965- ). As ?Tr?s Tocatas Armoriais? ? uma obra para viol?o solo dividida em tr?s movimentos, O Romance do Boi da M?o de Pau, Poema Negro e O Admir?vel V?o do Pav?o Misterioso, constru?da, segundo Guanais, sob uma concep??o atualizada da M?sica Armorial. Objetivando entender o que seria a ?vers?o atualizada da M?sica Armorial?, como afirma o compositor, procuramos apresentar uma contextualiza??o da M?sica Armorial que vai desde sua produ??o inicial, com os prim?rdios do Movimento Armorial, at? a produ??o dessa m?sica por compositores atuais que se prop?e compor M?sica Armorial utilizando elementos e procedimentos da m?sica do s?culo XX e XXI. No presente trabalho apresentamos, tamb?m, uma breve discuss?o sobre a dicotomia de concep??o instaurado por Ariano Suassuna e Cussy de Almeida e a contribui??o gerada, atrav?s dessa dualidade de pensamentos, para a produ??o posterior da M?sica Armorial. Foram utilizadas na metodologia entrevista com o compositor, an?lise e estudo da obra, bem como referenciais te?ricos como Santos (2009), Marinho (2010), Queiroz (2014), e outros. Tem-se como objetivo apresentar elementos que propiciem ao int?rprete execut?-la o mais pr?ximo poss?vel da concep??o do compositor a partir das ideias expostas pelo mesmo. Como resultados apresentamos informa??es sobre a concep??o apresentada pelo compositor, n?o propondo uma discuss?o aprofundada da quest?o, onde o mesmo afirma produzir suas obras a partir de elementos que se caracterizam como uma ?vers?o atualizada da M?sica Armorial?. Apresentamos, no ?ltimo cap?tulo, os materiais que foram utilizados para a constru??o da obra, como por exemplo as literaturas que o motivaram na produ??o das pe?as; os elementos filos?ficos presentes na obra ?Tr?s Tocatas Armoriais?, principalmente no ?ltimo movimento, O V?o Admir?vel do Pav?o Misterioso, que sugere a imag?tica de uma m?quina tentando al?ar v?o. Apresentamos, tamb?m, a an?lise do material mel?dico, utiliza??o da nota pedal, caracter?stica presente na m?sica dos violeiros utilizados na M?sica Armorial, bem como sugest?es t?cnico-interpretativas da obra. / This paper is a study about the technical-interpretative aspects in ?Tr?s Tocatas Armoriais,? whose author is the Potiguar Danilo Guanais (1965 ?). ?Tr?s Tocatas Armoriais? is a work for solo guitar and is divided into three movements: Romance do Boi da M?o de Pau, Poema Negro and O Admir?vel V?o do Pav?o Misterioso. It was made, according to Guanais, under the updated conception of Armorial Music. In order to understand what is the "updated version of Armorial Music", as the composer says, we tried to present a contextualization of Armorial Music, since its initial production, with the beginnings of the Armorial Movement, until the production of the song by current composers who proposed to compose Armorial Music using elements and procedures of 20th and 21st century music. We also present a brief discussion about the dichotomy of conception established by Ariano Suassuna and Cussy de Almeida, and its contribution, with the duality of thoughts, for the later production of Armorial Music. In methodology it was used an interview with de composer, analysis and study of the work, and some references as Santos (2009), Marinho (2010) and Queiroz (2014). The aim of this paper is to show elements that enable the interpreter to perform it as close as possible to the composer's conception. As results we present information about the conception presented by the composer, without in-depth discussion, in which the author affirms to produce his works from elements that are characterized as an "updated version of Armorial Music.? The materials used for the construction of the work are presented at the last chapter and were the literatures that motivated the coposer in the production of the plays; the philosophical elements present in ?Tr?s Tocatas Armoriais?, especially in the last movement, O V?o Admir?vel do Pav?o Misterioso, which suggests the imagery of a machine trying to fly. It was also presented an analysis of the melodic material, the application of the pedal note, which is a characteristic of the music of the guitar players used in Armorial Music, and some technical-interpretative suggestions of the work.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/22302 |
| Date | 13 December 2016 |
| Creators | Pereira, Jos? Paulo |
| Contributors | 89888731491, http://lattes.cnpq.br/7363371226281326, Satomi, Alice Lumi, 75549719800, http://lattes.cnpq.br/2073986486219986, Queiroz, Rucker Bezerra de, 58504800482, http://lattes.cnpq.br/6857099875317506, Lira, Ezequias Oliveira |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM M?SICA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | Portuguese |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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