This research explores the dynamic fabric of experienced space in acousmatic music. The topology of spatial texture is a network of concepts treating music as a flexible, textural space, which deforms, shapes, and transforms in time. A comprehensive terminology is introduced, along with five fixed-media electroacoustic compositions, which exemplify a manifestation of spatial texture in composition and musical thinking. The theory draws from research on the cross-modality of texture perception, philosophical discourse on embodied meaning, physics, psychology of visual art, and discourse on space in acousmatic music. Several different structural perspectives are discussed, which reveal how spatial texture incorporates lower sound-structural levels, materiality, states and processes, motion, global networks and terrains, and relationships between space and time. Emphasis is put on visual and physical connections with spatiality in the acousmatic experience: cogency in spatial structure and dynamics reinforces links among modalities. The concepts and terminology are intended as a contribution to theory in the acousmatic medium, relevant to composition, analysis, and listening. The music represents an aesthetic orientation which emphasises materiality and morphology in texture, transformative processes, spatial design, and spatiotemporal polyvalence.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:577961 |
| Date | January 2013 |
| Creators | Nyström, Erik |
| Publisher | City University London |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://openaccess.city.ac.uk/2715/ |
Page generated in 0.0013 seconds