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BLOWING BUBBLES, BURSTING BULLES: AN ANALYSIS OF MANET'S BOY BLOWING BUBBLES AND THE POLITICIZATION OF HOMO BULLA

This paper analyzes the political dimensions surrounding visual and literary allusions to soap bubbles. Traditionally, iconographic studies consider soap bubbles within the history of northern Baroque vanitas, attaching to bubbles notions of ephemerality and transience. Building on these interpretations, eighteenth- and nineteenth-century French artists and writers created a complex metaphor for soap bubbles that relied on their impermanence and fragility, as well as their illusory nature. By coupling the earliest conceptual meanings of soap bubbles with their almost imperceptible formal properties, the bubble blower came to symbolize deceivers, or figures creating illusions or delusions. Eventually, this transformed vanitas symbolism became harnessed to political critiques and representative of chimerical assertions of papal authority, calumny, and false promises of liberal reform. I not only describe the alternative meanings associated with soap bubbles in eighteenth- and nineteenth-century France, but also I situate Edouard Manet's Les Bulles de savon (1867) within this trajectory. While most scholars interpret Manet's painting and accompanying prints as a continuation of, and legacy to, the Dutch vanitas tradition, I illustrate how the artistic and political milieu in which Manet worked mirrored earlier criticisms employing allusions to bubbles. / Art History

Identiferoai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/1011
Date January 2013
CreatorsCooperstein, Shana
ContributorsDolan, Therese, 1946-, West, Ashley D.
PublisherTemple University. Libraries
Source SetsTemple University
LanguageEnglish
Detected LanguageEnglish
TypeThesis/Dissertation, Text
Format89 pages
RightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/
Relationhttp://dx.doi.org/10.34944/dspace/993, Theses and Dissertations

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