The research in this thesis will focus on China’s increasingly important role in the global film industry, including the dynamic between the Chinese government, the Chinese film industry, and Hollywood. The first chapter gives a comprehensive overview of the history of artistic trends in postsocialist Chinese film since 1979. The following chapter provides a history of the commercial and economic developments regarding the Chinese film industry after Deng Xiaoping’s economic reforms and open door policy. In the third chapter, a detailed analysis of the different Chinese state entities and their functions provide insight into the history of the political and regulatory framework of the Chinese film industry. The fourth chapter examines Hollywood’s role and response to China’s burgeoning film industry and market including case studies of top western film companies that have been heavily involved with China. It also focuses on the challenges the domestic Chinese film industry faces in response to government censorship and competition from Hollywood. Finally, the conclusion offers predictions for the future state of the Chinese film industry, and discusses the implications surrounding the growing relationship between the China and Hollywood.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:cmc_theses-1792 |
| Date | 01 January 2013 |
| Creators | Yao, Kathryn S |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | CMC Senior Theses |
| Rights | © 2013 Kathryn Yao |
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