This thesis accompanies the five electroacoustic compositions of the Bardo series and presents a discussion of symbolism within contexts of Chinese culture and the electroacoustic medium. The work develops a view of interaction between cultures of East and West, considering issues raised in terms of philosophical research and as a substantial creative resource for composers and listeners.
Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:446449 |
Date | January 2007 |
Creators | Weng, Chih-Hung |
Publisher | City, University of London |
Source Sets | Ethos UK |
Detected Language | English |
Type | Electronic Thesis or Dissertation |
Source | http://openaccess.city.ac.uk/16240/ |
Page generated in 0.0017 seconds