This work explores the myth of the Midas touch, attempting to recreate Midas’ thaumaturgical condition through sound. The sonic experience is delineated by distinct phases that mimic the process of Midas’ touch, following a subject’s existence from pure life to still, tarnished gold.
| Identifer | oai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/41052 |
| Date | 20 May 2020 |
| Creators | Cheng, Yu-Tung |
| Contributors | Fineberg, Joshua, Amlin, Martin D. |
| Source Sets | Boston University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
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