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Theatricality and power : politics and "play-acting" in the European Renaissance

In and around the princely courts of Europe, Renaissance humanists drew upon the teachings of classical antiquity, often reinterpreting them to suit their own intellectual and ethical needs. One such need concerned balancing notions of achievement predicated upon gaining others' favor, with ideals of constancy and integrity. Evidence of this dilemma can be found in the works of Niccolo Machiavelli, Desiderius Erasmus, Thomas More, and Michel de Montaigne. In each of these cases, the attachment to differing conceptions of accomplishment and human dignity resulted in contradictions in their writings, and in their lives.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.39319
Date January 1992
CreatorsDiamond, Jeff Barja
ContributorsTaylor, Charles (Supervisor), Tully, James (Supervisor)
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageDoctor of Philosophy (Department of Political Science.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 001284661, proquestno: NN74805, Theses scanned by UMI/ProQuest.

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