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Black Man Kneeling, Black Man Standing: Exploring the Interplay Between Secular and Sacred Spaces in Representations of Black Masculinity in Zora Neale Hurston's Jonah's Gourd Vine, James Baldwin's Go Tell It on the Mountain, and Ernest J Gaines's A Lesso

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Identiferoai:union.ndltd.org:OhioLink/oai:etd.ohiolink.edu:muhonors1146345025
Date01 May 2006
CreatorsAlexander, Patrick Elliot
PublisherMiami University Honors Theses / OhioLINK
Source SetsOhiolink ETDs
LanguageEnglish
Detected LanguageEnglish
Typetext
Sourcehttp://rave.ohiolink.edu/etdc/view?acc_num=muhonors1146345025
Rightsunrestricted, This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.

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