Marie de' Medici began the 'jardin du Luxembourg' during her Regency for Louis XIII. As Henry IV's queen, she had clung tenaciously to her Italian family heritage and as her upbringing had close associations with the spectacular 'giardino di Boboli', she was thus inspired to utilize it as the prototype for her Parisian garden. The validation of Marie de' Medici's success lies in the investigation of both gardens to determine the recurring features and to ascertain their precise chronology. Evidence suggests that some replicated features were well known to Marie, the 'Grotta Grande', the original layout and the amphitheatre's general form; while other features, the 'Isolotto' and the amphitheatre's stone seating, were not. These were realized either concurrently or even later than similar features at Luxembourg: a factor overlooked by historians who habitually cite the formative role of Boboli at Luxembourg.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.60661 |
| Date | January 1992 |
| Creators | Coombes, Pamela M. |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Department of Art History.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 001288550, proquestno: AAIMM74499, Theses scanned by UMI/ProQuest. |
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