The purpose of the current study is to examine how the prime time television show 24 frames torture by US government officials almost exclusively in scenarios of high-consequence, high-confidence that are not supported by public opinion polls, provide contextual rationalizations that are unrealistic, show torture methods as a viable means to gain needed information, and show enemy combatants torturing U.S. citizens. Through a quantitative content analysis of torture on the television series 24 and an analysis of focus groups reactions to select episodes of 24 portraying torture in such scenarios, the study seeks to investigate the role of entertainment media in influencing public opinion and providing backstage context from which opinions may be formed. The study examines how fictional portrayals of an event or issue such as torture can enter into political discourse on the subject. The study builds on prior research on how and when entertainment media provide context and frames to the public that the news media cannot, and helps further our understanding of how entertainment media can enter into public discourse and inform public opinion.
Identifer | oai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-04012008-134143 |
Date | 02 April 2008 |
Creators | Cooley, Skye Chance |
Contributors | Regina Lawrence, Craig Freeman, Kirby Goidel |
Publisher | LSU |
Source Sets | Louisiana State University |
Language | English |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | http://etd.lsu.edu/docs/available/etd-04012008-134143/ |
Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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