In 1926, after rejoining the Russian Orthodox Church, Igor Stravinsky began composing
religious music. These religious works provided a creative outlet for Stravinsky’s personal
interest in religion and religious philosophy and also revealed Stravinsky’s professional
exploration of a new musical genre. His personal religiosity played an integral role in the
composition of these pieces by originally inspiring the subject of the works, and later providing intellectual stimulation during the composition process. This thesis will examine three of Stravinsky’s religious works from his Neo-Classical period, including Otche Nash, Symphony of Psalms, / Thesis / Master
| Identifer | oai:union.ndltd.org:fsu.edu/oai:fsu.digital.flvc.org:fsu_16817 |
| Creators | Keyser, Amy |
| Source Sets | Florida State University |
| Detected Language | English |
| Type | Text |
| Source | http://etd.lib.fsu.edu/theses/available/etd-08282003-161809/--http://etd.lib.fsu.edu/theses/available/etd-08282003-161809/ |
| Rights | unrestricted |
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