Except for a group of three songs, the two piano concertos were the last things Ravel wrote. They have been said to be the culmination of Ravel's style; and, since they were written simultaneously, much attention has been drawn to a comparison of the two, particularly with emphasis on their divergent features. It is the purpose of this paper to show the interesting circumstances under which these concertos came to exist, to acknowledge the differences recognized by authors and critics, and to point out some important ways in which these concertos are similar to each other.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc663060 |
| Date | 08 1900 |
| Creators | Lewis, Cary |
| Contributors | Race, William, Roberts, Jack Lundy, 1931- |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | viii, 63 leaves: music, Text |
| Rights | Public, Lewis, Cary, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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