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Previous issue date: 2016-12-05 / O presente artigo tem por objetivo desenvolver uma proposta de an?lise e interpreta??o
de quatro das 20 Mazurkas Op. 50 do compositor polon?s Karol Szymanowski
(1882-1937). As Mazurkas Op. 50 foram escritas durante o per?odo nacionalista do compositor,
que teve in?cio com a publica??o do ciclo de can??es Slopiewnie Op. 46. A pesquisa
se desenvolve a partir dos trabalhos de autores como KOSAKOWSKI (1980), SAMSON
(1990), PALMER (1983), CHYLINSKA (1993), PERKINS (1996), WIGHTMAN (1999),
CHAE (2010), CESETTI (2009), LIU (2012), CADRIN & DOWNES (2015). O trabalho
apresenta um resumo biogr?fico do compositor, oferecendo um panorama da sua obra, as
particularidades do per?odo criativo com base no nacionalismo do seu pa?s e um estudo
das Mazurkas Op.50 n? 1, 2, 3 e 4 sob a ?tica anal?tica e interpretativa. O artigo se justifica
por se tratar de uma abordagem voltada ? execu??o do repert?rio pian?stico do s?culo
XX ainda pouco difundido no Brasil, buscando oferecer uma base te?rico estrutural, ajudando
a suprir necessidades did?ticas e ampliando as possibilidades na escolha de repert?rio
a alunos e professores de piano. / This article aims to develop a analysis and interpretation of four of the 20 Mazurkas Op. 50
of the Polish composer Karol Szymanowski (1882-1937). The Mazurkas Op. 50 were written
during the nationalist period of the composer, which began with the publication of Slopiewnie
song cycle Op. 46. The research is developed from the work of authors such as
Kosakowski (1980) SAMSON (1990) Palmer (1983), CHYLINSKA (1993) Perkins (1996),
WIGHTMAN (1999), CHAE (2010), Cesetti (2009), Liu (2012), Cadrin & DOWNES (2015).
The work presents a biographical sketch of the composer offering an overview of his work,
the peculiarities of the creative period based on the nationalism of his country and a study
of the Mazurkas Op.50 No. 1, 2, 3 and 4 in the analytical perspective and interpretive. Article
is justified because it is a focused approach to the implementation of the piano repertoire
of the twentieth century still not widespread in Brazil, seeking to offer a theoretical
and structural basis, helping to meet educational needs and expanding the possibilities in
the repertoire of choice for students and teachers piano.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/23480 |
| Date | 05 December 2016 |
| Creators | Vitor, Paulo C?sar Bezerra |
| Contributors | 69579750106, http://lattes.cnpq.br/6872751996178006, Oliveira, Andr? Luiz Muniz, 38669595400, http://lattes.cnpq.br/3225501994217880, Silva, Vladimir Alexandro Pereira, 76875199491, http://lattes.cnpq.br/5912072788725094, Cesetti, Durval da N?brega |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM M?SICA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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