This thesis focuses on the contextualization of my artistic practice, which explores digital
glitch as a disruptive force and an aesthetic treatment in the contemporary technological
world. While the body of work draws on the methodology of glitch art, this paper attempts
to relate the idea of glitch to a wider range of philosophical and artistic frameworks
stemming from Lettrism, Situationist International, Punk, and Nihilism. The aim of this
investigation of a digital disturbance through its categorization into natural, stimulated and
assimilated glitch, is to facilitate an understanding of the glitch event as both something
threatening and attractive, while it transitions from a spontaneous to a controlled process in
a photoreal image. The passing of the destructive glitch from life to art is placed against the
backdrop of the apocalypse, which one may imagine as a literal and metaphorical disaster in
the physical world and value systems of western society. / vii, 113 leaves ; col. ill. ; 29 cm
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:ALU.w.uleth.ca/dspace#10133/3245 |
| Date | January 2012 |
| Creators | Blicharz, Marta |
| Contributors | Luce, Emily |
| Publisher | Lethbridge, Alta. : University of Lethbridge, Dept. of New Media, c2012, Arts and Science, Department of New Media |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | en_US |
| Detected Language | English |
| Type | Thesis |
| Relation | Thesis (University of Lethbridge. Faculty of Fine Arts) |
Page generated in 0.0018 seconds