Excerpt: This article argues that that transnational movement of Melvin van Peebles is crucial in ending the dearth in African American feature film production in the United States after Oscar Micheaux’s The Betrayal (1948).
| Identifer | oai:union.ndltd.org:ETSU/oai:dc.etsu.edu:etsu-works-9078 |
| Date | 11 July 1905 |
| Creators | Holtmeier, Matthew |
| Publisher | Digital Commons @ East Tennessee State University |
| Source Sets | East Tennessee State University |
| Detected Language | English |
| Type | text |
| Source | ETSU Faculty Works |
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