The main aim of this thesis "Satire, puns and metaphor in Quevedo's works" is to contextualize the author in the historical and the literary context. We outlined the situation of Spain in the 17th century and the economic and social conditions in its territory. Furthermore, we specified the art movements, which influenced Spain during the 17th century, a Baroque and Mannerism. Within the Mannerism, we specified two dominating Spanish literary movements, "culteranismo" and "conceptismo". We characterized their essence and we presented two leaders of both these two movements. That is Góngora as a leading author of culteranismo and Quevedo representing conceptismo. Especially in case of conceptismo we also focused on clarifying concepts and we explained the basic tendencies and terminology with the help of one of the greatest leaders of Baroque rhetoric, Baltasar Gracián. Then we proceeded to the definition of satire, and we focused on the origins and development related to Quevedo's satire. We mentioned Menippean satire, which has been a springboard for many of later modern satirists and we also mentioned satire within culture of humour especially in relation to the concept of Bakhtin and Carnival. Then we continued with a typology of characters that should be kind of explanation for reading...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:333558 |
| Date | January 2015 |
| Creators | Žaloudková, Veronika |
| Contributors | Sánchez Fernández, Juan Antonio, Poláková, Dora |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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