abstract: Hungarian composer, Miklós Rózsa, is primarily known for his career as a film composer, but he wrote over forty-five pieces for the concert hall. The most famous of these works, Theme, Variations, and Finale, was composed in 1933 and premiered the following year, ushering in a long history of performances throughout Europe and abroad in the 1930s and 1940s. This document serves as a guide for performers of Theme, Variations, and Finale by offering biographical information about Rózsa, the compositional history and performance history of the work and recorded legacy, details about its two versions, and a detailed analysis of the score. This document also clarifies important details about the work's performance history, which have previously been recorded inaccurately. / Dissertation/Thesis / Doctoral Dissertation Music 2018
Identifer | oai:union.ndltd.org:asu.edu/item:49343 |
Date | January 2018 |
Contributors | Alpizar, Mark Daniel (Author), Meyer, Jeffery (Advisor), Feisst, Sabine (Committee member), Spring, Robert (Committee member), Caslor, Jason (Committee member), Arizona State University (Publisher) |
Source Sets | Arizona State University |
Language | English |
Detected Language | English |
Type | Doctoral Dissertation |
Format | 48 pages |
Rights | http://rightsstatements.org/vocab/InC/1.0/, All Rights Reserved |
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