Thesis (D.M.A.)--Boston University / The concerto is in three movements. The first, in G major is an Allegretto; the second, in D minor is marked
Andante; and the third, in G major is a brisk Allegro. There
is frequent use of modal scales throughout the course of this
composition, particularly the Mixolydian mode. The concerto,
however, may be regarded as being bi-modal--that is, either
major or minor with much use of borrowed triads, altered
triads, added notes, as well as poly-chords and simple diatonic
harmony
| Identifer | oai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/23916 |
| Date | January 1960 |
| Creators | Gold, Morton |
| Publisher | Boston University |
| Source Sets | Boston University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
| Rights | Based on investigation of the BU Libraries' staff, this work is free of known copyright restrictions. |
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