This study will undertake a critical analysis of the domestic architecture of Gawie Fagan so as to define its uniqueness in the South African architectural landscape, and the contribution the architect has made to the establishment of a place-specific architecture that is nationally and internationally recognized. It will attempt to increase the limited written knowledge of the work of South African architects and to add to the critical debate on South African architecture. The study will employ both descriptive and normative approaches as the built work and writings of Fagan are unpacked. This will be done through an analysis of the dichotomies, tensions and mediations that exist in his architecture. It will demonstrate that there are heterotrophic and typological tendencies present in his domestic oeuvre and that they represent a unique synthesis of the local Cape vernacular and aspects of the Modern Movement. It will attempt to provide a clear understanding of the man and his philosophies and through this process will add to the critical debate on South African architecture. Fagan's work will firstly be contextualized, after which an analysis will be undertaken to determine how external and internal influences have impacted on the design of his houses and how these have contributed to the development of a unique South African architecture. / Thesis (PhD)—University of Pretoria, 2012 / Architecture / unrestricted
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:up/oai:repository.up.ac.za:2263/28137 |
| Date | 22 September 2012 |
| Creators | Barker, A.A.J. (Arthur Adrian Johnson) |
| Contributors | Fisher, Roger C., arthur.barker@up.ac.za |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Rights | © 2012 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
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