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Previous issue date: 2012 / A presente pesquisa analisa o contexto da virada modernista na Bahia, focalizando a
atuação do grupo de artistas que girou em torno da revista Caderno da Bahia, publicada
entre 1948 e 1951. Para tanto, problematiza as diferentes formas de apropriação da
cultura popular baiana, que neste momento estava sendo representada não só por
artistas, mas por antropólogos, jornalistas, intelectuais, agentes de turismo e setores do
governo.
The present research analyzes the context of modernist turn in Bahia, focusing on the
performance of the group of artists who turned around the magazine Caderno da Bahia
(Book of Bahia), published between 1948 and 1951. For this, discusses the different
forms of appropriation of popular culture in Bahia, which was currently being
represented not only by artists but by anthropologists, journalists, intellectuals, travel
agents and government sectors. / Salvador
| Identifer | oai:union.ndltd.org:IBICT/oai:192.168.11:11:ri/11618 |
| Date | January 2012 |
| Creators | Groba, Tiago Santos |
| Contributors | Aras, Lina Maria Brandão de |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFBA, instname:Universidade Federal da Bahia, instacron:UFBA |
| Rights | info:eu-repo/semantics/openAccess |
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