The present thesis is a study of Robert Browning¡¦s male narrators in his dramatic monologues that deal with problematic man-woman relationships. Being a renovator of the poetic genre of dramatic monologue, Browning employs it to present men¡¦s innermost struggle and obscure emotions in love. While the Victorian gender stereotype emphasizes men¡¦s preoccupation with the business world, he demonstrates men¡¦s intense relation with love. In his poems depicting man-woman relationships, men¡¦s struggles are mainly caused by their eagerness to retain their masculinity, namely, the patriarchal order. This thesis is to explore the concept of masculinity in Browning¡¦s poems. It examines Browning¡¦s typical egoistic men and men¡¦s fantasy about women¡¦s passion. Browning¡¦s female narrators are also discussed to underscore the male-dominated viewpoint on man-woman relationships. Meanwhile it explores Browning¡¦s artist characters, including artists as narrators and not as narrators. Close textual analysis will be made of a selection of poems from Dramatic Lyrics (1842), Dramatic Romances and Lyrics (1845), Men and Women (1855), and Dramatis Personæ (1864) to see the poet¡¦s pondering upon men¡¦s twisted emotions.
| Identifer | oai:union.ndltd.org:NSYSU/oai:NSYSU:etd-0117112-135504 |
| Date | 17 January 2012 |
| Creators | Lan, Wen-lin |
| Contributors | Min-Tser Lin, Shu-fang Lai, Yu-san Yu |
| Publisher | NSYSU |
| Source Sets | NSYSU Electronic Thesis and Dissertation Archive |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0117112-135504 |
| Rights | unrestricted, Copyright information available at source archive |
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