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The Iconographical Significance in Selected Western Subjects Painted by Thomas Moran

The popular image of the West in the nineteenth and early twentieth centuries incorporates radically opposing images: the West is viewed as a Garden of Eden at times, but it is also frequently seen as violent, a land inimical to man. The region both attracted and repelled. Among those attracted were artists who carried back some of the first images of the land. Thomas Moran (1837-1926) became associated quite early with the West because a pair of his paintings of western canyons was purchased by the United States Government.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc798151
Date08 1900
CreatorsPatrick, Darryl
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights

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