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An Analysis of Printemps d'amour (op. 40) and L'Union (op. 48): Two Programmatic Piano Solos by Louis Moreau Gottschalk

Close analyses of two works by Gottschalk demonstrate, not just his consummate skill in evoking and sustaining extra-musical imagery, but also his firm control of harmony, motivic development, and form. In Printemps d'amour (1855), a mazurka inspired by Gottschalk's love for Ada McElhenney, a romance develops between two distinct theme-actors, both of whom grow ever more entwined. Comparison with Chopin's mazurka op. 50, no. 2, points out general similarities and profound differences. Analysis of L'Union (1862) follows, presenting a pasticcio rife with narrative and irony. The former manifests as a battaglia; the latter, as denial of listeners' expectations. Comparison with models for "The Star Spangled Banner," "Hail, Columbia," and "Yankee Doodle" shows why listeners will recognize each air, and how Gottschalk creates an artistic paraphrase.

Identiferoai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-01192014-020829
Date23 January 2014
CreatorsVaden, Sam
ContributorsSmyth, David, Peck, Robert, McFarland, Alison
PublisherLSU
Source SetsLouisiana State University
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.lsu.edu/docs/available/etd-01192014-020829/
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