This dissertation consists of two parts. Part 1 is a composition for orchestra entitled Now at the Middle of the Night. Part 2 is the current document, which concerns temporality in the score of the movie Arrival. The essay discusses types of experiential time and how the main character begins to see time as a whole, not simply as a linear path. The paper looks at three scenes to examine how the musical techniques mirror the change in perspective the main character undergoes. / Music Composition / Accompanied by 1 .maxpat file: now-at-the-middle-of-the-night.maxpat; and 1 PDF file: Litts_temple_0225E_171/Now at the Middle of the Night.pdf
| Identifer | oai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/7662 |
| Date | January 2022 |
| Creators | Litts, Andrew |
| Contributors | Wright, Maurice, 1949-, Klein, Michael Leslie, Pasbrig, David, Fleeger, Jennifer |
| Publisher | Temple University. Libraries |
| Source Sets | Temple University |
| Language | English |
| Detected Language | English |
| Type | Thesis/Dissertation, Text |
| Format | 36 pages |
| Rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/ |
| Relation | http://dx.doi.org/10.34944/dspace/7634, Theses and Dissertations |
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