This study demonstrated that the piano, a typical Western instrument, became the Chinese composer's tool for expressing the sound ideals and tone qualities that are intrinsic to Chinese music. A new musical idiom was created in these piano compositions, an idiom that combined Western compositional techniques and traditionally-based Chinese ideals.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc278304 |
| Date | 08 1900 |
| Creators | Fan-Long, Grace (Chun Grace) |
| Contributors | Paul, Pamela Mia, Cho, Gene J., Eschbach, Jesse E., Smallwood, J. B. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xi, 47 leaves : ill., music, Text |
| Coverage | China |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Fan-Long, Grace (Chun Grace) |
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