The aim of the thesis was to conduct a detailed examination of the evidence pertaining to the cerebral lateralisation of musical function. Theoretical models from the neuropsychological and cognitive psychology fields were employed, with emphasis placed on the way the models interrelate to gain a more coherent account of music cognition and its relationship to cerebral lateralisation. (For complete abstract open document.)
| Identifer | oai:union.ndltd.org:ADTP/285823 |
| Date | January 1996 |
| Creators | Wilson, Sarah-Jane |
| Source Sets | Australiasian Digital Theses Program |
| Language | English |
| Detected Language | English |
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