"Mudra" is the transliteration of a Sanskrit word meaning "symbol" or "gesture". This piece is inspired by the interaction of thoughts, breathing patterns, spontaneous bodily movements and sensations which can occur during the yogic practice of 'pranayam'. The work is written for flute/piccolo, oboe, clarinet, bass clarinet, bassoon, horn, trumpet, trombone, percussion, piano, four violins, two violas, two cellos, and two double basses. / The piece is divided into twelve sections, clearly delineated by changes in harmony, texture, meter, and registration. As the music unfolds, seven rhythmic cells and four fixed-pitch collections provide the basis for rhythmic and harmonic development, or variation. Elements such as solo melodic lines, melodies dynamically doubled at varying intervals, polyrhythm, isorhythm, heterophony, timbral modulation, and metric modulation are used in an attempt to generate a satisfyingly rich musical experience.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.23979
Date January 1996
CreatorsShuebrook, Paul.
ContributorsCherney, B. (advisor)
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Music (Faculty of Music.)
Rights© Paul Shuebrook, 1995-1996
Relationalephsysno: 001536463, proquestno: MM19694, Theses scanned by UMI/ProQuest.

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