This lecture-recital paper deals with some of the music of the early 1900's, examining both original xylophone solos and piano rags arranged for the xylophone. An attempt is made to identify the role of the xylophone in ragtime music and its implications for the present day xylophonist. In this investigation a brief history of ragtime music is presented along with the history of the xylophone. The history of ragtime is traced from its beginnings around 1890 to its decline during the 1930's, developing from cakewalks and folk rags into its various styles of Classic rags, Popular rags, Advanced rags, and Novelty rags. The history of the xylophone is traced from the middle ages to its emergence as an orchestral instrument, popularized by a Polish Jew named Michael Josef Gusikov during the early 1800"s. The popularity of the xylophone in the United States increased along with that of ragtime music; from approximately 1890 to 1935 the xylophone experienced what most refer to as its "golden age." Many solos for the instrument, both original and transcribed, were published toward the end of this era. As the popularity of the xylophone declined, these solos went out of print.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc330920 |
| Date | 05 1900 |
| Creators | McCutchen, Thomas W. (Thomas Wendell) |
| Contributors | Schietroma, Robert J., Brothers, Lester Dwayne, 1945-, Winslow, Robert A. |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | x, 53 leaves : music, Text |
| Rights | Public, McCutchen, Thomas W. (Thomas Wendell), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Page generated in 0.0046 seconds