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The Phenomenology of Harmonic Progression

This dissertation explores a method of music analysis that is designed to reflect the phenomenology of the listening experience, specifically in regards to harmony. It is primarily inspired by the theoretical approaches of the music theorist Moritz Hauptmann and by the writings of philosopher Edmund Husserl.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1703408
Date05 1900
CreatorsRussell, Michael Lance
ContributorsHeidlberger, Frank, Chung, Andrew (Music theorist), Austin, Stephen F.
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formativ, 156 pages : illustrations, music, Text
RightsPublic, Russell, Michael Lance, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.

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