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“I Gotta Right to Sing the Blues”: Considering the Music of Harold Arlen (1905-1986) for Use by Female Singers in the Classical Voice Studio

American musical theater and film composer Harold Arlen is largely overshadowed by his contemporaries, such as George Gershwin, Irving Berlin, and Cole Porter. However, his music serves as a viable alternative for singers of all skill level studying a classical technique. By studying the music of Harold Arlen, singers will utilize a wide range, legato line, negotiations of register, mood shifts, and varying tessituras. The following document considers the importance of Arlen’s music by analyzing eight of his songs from three prominent decades of compositional output. The eight songs examined are grouped by the decade of their composition: the 1930s, 1940s, and 1950s. Each song is evaluated by determining the musical benefits included in each song and also the skill level required of the singer.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc500087
Date08 1900
CreatorsHawk, Heather L.
ContributorsEustis, Lynn, Taylor, Donald Mount, 1961-, Snider, Jeffrey
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Hawk, Heather L., Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.
RelationLecture recital: May 20, 2013, ark:/67531/metadc802027, Recital: November 25, 2012, ark:/67531/metadc171836

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