Over the last thirty years there has been a proliferation in the number and diversity of privately- funded exhibition spaces for contemporary art in Mexico. Driving this development is a new generation of art collectors and my research project is concerned with how collector-led models of patronage have influenced the recognition, impact and public display of contemporary art in Mexico. My thesis begins by exploring what constitutes an art collection, the significance of a museum, and what motivates a collector. I then present an overview of the historical relationship between state and private art collections in Mexico, followed by a critique of landmark events in the genesis of the Mexican art market. In the second part of my research project I identify a group of influential mid-twentieth century collectors who established their own exhibition spaces in order to share their collections with the public, followed by an analysis of their legacy through the activity of the current generation of collectors, whose efforts to promote contemporary art within Mexico and abroad have spawned a new climate of creative enterprise and collaboration. This thesis seeks to present a survey of the evolution of the private exhibition space in Mexico by examining independent cultural initiatives whose ambition is to change the way the public engages with contemporary art. In my findings I examine how collectors’ objectives manifest a vision for the museum visitor experience and the impact of these privately-funded institutions on Mexico’s cultural identity.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:712533 |
| Date | January 2016 |
| Creators | Rose, Rebecca |
| Publisher | University of Essex |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://repository.essex.ac.uk/19384/ |
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