This dissertation explores the importance of narrative in Ardmore ceramic ware and determines how and to what effect ceramic narrative is used by Ardmore Ceramic Studio. It gives a historical overview of narrative in ceramic wares of English potteries from the eighteenth century to date, as a means of contextualising and locating the influences of Ardmore narrative ceramics. This paper examines selected narrative works, by artists such as Andrew Sokhela and Wonderboy Nxumalo, with reference to Noverino N. Canonici’s writings regarding Zulu oral literature. One of the intentions of this paper is to illustrate how the fundamental elements of Zulu storytelling play an influential role in Ardmore ceramic narratives. Narrative as a means of communication, education and entertainment is assessed with reference to Ardmore examples. This dissertation investigates the potential to use ceramic narratives as anthropological research tools. The focus of this paper is to investigate the use of ceramic narrative in disseminating information and creating social awareness. / Thesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2011.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:ukzn/oai:http://researchspace.ukzn.ac.za:10413/8793 |
| Date | January 2011 |
| Creators | Weaving, Sharon. |
| Contributors | Calder, Ian. |
| Source Sets | South African National ETD Portal |
| Language | en_ZA |
| Detected Language | English |
| Type | Thesis |
Page generated in 0.0018 seconds