Until quite recently, native people in English-Canadian drama have been portrayed by non-native playwrights. Stereotypes such as the Indian maiden and the noble savage were the early result of this white perspective. In the liberal climate prevailing after 1950, non-native dramatists perceived the native as a doomed figure struggling
to survive in an alien culture. This tragic but static view has gradually given way to a more positive depiction of a people who, although badly wounded, have nevertheless
endured. This new perception owes a great deal to the work of native playwrights, who are finding their own voice and celebrating their own culture and traditions. / Thesis / Master of Arts (MA)
Identifer | oai:union.ndltd.org:mcmaster.ca/oai:macsphere.mcmaster.ca:11375/15939 |
Date | January 1988 |
Creators | Debenham, Diane Elizabeth |
Contributors | Hyman, R., English |
Source Sets | McMaster University |
Language | English |
Detected Language | English |
Type | Thesis |
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