The Thesis examines the symbolism, and the sources of that symbolism, in the poetry and painting of Dante Gabriel Rossetti. Chapter 1 considers the significance of the title of Rossetti's sonnet-sequence The House of Life. Chapter 2 looks at the opening sonnets of that sequence. Chapter 3 scrutinises the sonnet quartet of the Willow-wood sequence. Chapter 4 evaluates the influence of Platonism and Neoplatonism in Rossetti's art. Chapter 5 is concerned with Rossetti's use of allegory. Chapter 6 surveys the influence of Rosicrucianism on Rossetti and his immediate circle of the pre-Raphaelite Brotherhood, and on the Aesthetic School that succeeded it. This chapter closely examines the symbolic motifs of Rosicrucianism, and how these may be traced in the paintings of these artists. Chapter 7 explores the Rosicrucian influence in Rossetti's poetry. Chapter 8 further traces these influences in Rossetti's painting. Chapter 9 investigates the Goddess figure within Rossetti's later paintings.
Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:360166 |
Date | January 1996 |
Creators | Drew, Rodger |
Publisher | University of Glasgow |
Source Sets | Ethos UK |
Detected Language | English |
Type | Electronic Thesis or Dissertation |
Source | http://theses.gla.ac.uk/3426/ |
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