The purpose of this research is to document how Claude Debussy’s compositional style was used in Louis Vierne’s organ music in the early twentieth century. In addition, this research seeks standard nineteenth-century practices in Vierne’s music. Vierne lived at the same time as Debussy, who largely influenced his music. Nevertheless, his practices were varied on the basis of Vierne’s own musical ideas and development, which were influenced by established nineteenth-century practices. This research focuses on the music of Louis Vierne’s Pièces de fantaisie, Opp. 51, 53, 54, and 55 (1926-1927). In order to examine Debussy’s practices and standard nineteenth-century practices, this project will concentrate on a stylistic analysis that demonstrates innovations in melody, harmony, and mode compared to the existing musical styles.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc849666 |
| Date | 05 1900 |
| Creators | Lee, Hyun Kyung (Organist) |
| Contributors | Eschbach, Jesse E., Brown, Charles S. (Organist), Harlos, Steven, 1953-, Lavacek, Justin |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vii, 47 pages : music, Text |
| Coverage | 1800/1937 |
| Rights | Public, Lee, Hyun Kyung (Organist), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
| Relation | Recital: April 20, 2010, ark:/67531/metadc89300, Recital: April 26, 2011, ark:/67531/metadc917266, Recital: April 22, 2012, ark:/67531/metadc174152 |
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