The aim of this thesis is to interpret Jan Zahradnicek's spacious poem The Sign of Power. The interpretation crystallizes around the motifs of dehumanisation (connected with Nietzsche's motif of nihilism and of the last man) of a man, the loss of a word, discontinuity, the loss of time, the human face, nothingness (specific Nothingness) and the possibility of salvation, connected with an awakening of the sight. There are two semantic lines essential for enlightening these motifs: Dante's Divine Comedy and Picard's works of the late 40s. Zahradnicek wrote The Sign of Power during 1950-1951, at the time of his intense work on the translation of Dante's Divine Comedy. The purpose of the first part of this thesis is to illustrate how strongly the Divine Comedy influenced the key motifs of The Sign of Power. The purpose of the second part of the thesis is to uncover a new semantic context for the interpretation of Zahradnicek's poem; the works of Swiss essayist, philosopher and poet Max Picard, which were of great importance for Zahradnicek's poem. I see the exposition of Picard's specific grasp of the key modern phenomena, which penetrated to Zahradnicek's poem, as the further objective of the work. The thesis is guided by the fundamental question of The Sign of Power - "what happened with a man" -,...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:326649 |
| Date | January 2013 |
| Creators | Svárovská, Nicol |
| Contributors | Novák, Aleš, Chavalka, Jakub |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0021 seconds