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The Evolution of the Cadence in the Cyclic Masses of Dufay, Ockeghem, Josquin, and Gombert

Four composers have been chosen for this study. They were the leaders of four successive generations of composers influential in the fifteenth and early sixteenth centuries. Their masses were written between the years 1420 A.D. and 1560 A.D. Many significant changes took place during this period of one hundred forty years. Older compositional techniques such as the use of formes fixes and isorhythm all but disappeared. Cantus firmus technique was transformed and extended to unify the mass cycle. Aesthetic considerations became more important to the composer than liturgical canons, and composers began to regard themselves as artistic creators not mere servants to the Church. The rise of humanism placed man at the center of his music, making it more expressive and personal then ever before.

Identiferoai:union.ndltd.org:butler.edu/oai:digitalcommons.butler.edu:grtheses-1031
Date01 June 1985
CreatorsGiffin, Janet E.
PublisherDigital Commons @ Butler University
Source SetsButler University
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceGraduate Thesis Collection

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