A public work of art has something to say, both about itself and the place where it’s located. By analyzing two different pieces of art, this study will examine them in co- relation to the order of the artwork and the artistic intention of the artist, to see how well these intentions is communicated to a general audience. The analysis will be carried through on the grounds of Rosalind E. Krauss sculptural theory. Depending on the quality of this communication, the conclusion of this study shows what intentions are transmitted through this process to the audience, and discusses the potential flaws in the process from a public artwork being ordered to its meeting with the public eye.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:lnu-124858 |
| Date | January 2021 |
| Creators | Mützell, Marcus |
| Publisher | Linnéuniversitetet, Institutionen för musik och bild (MB) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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