Although the current, exhaustive studies of Brahms' works have covered many aspects of the composer's art, it is still surprising that his large-scale, five-movement Piano Sonata No.3 has in many ways been insufficiently studied by scholars who have emphasized the genre of the piano sonata and the aspect of performance practice over the work's more diverse features. Another reason that this early work has been understudied could in fact be that his later compositions in other genres, such as his symphonies, chamber music or choral music, have been perceived by scholars to represent best his most mature, comprehensive style. This dissertation will therefore examine the orchestral underpinnings of this monumental work which owes most often its already mature artistic essence to Brahms' multi-instrumental approach.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1011840 |
| Date | 08 1900 |
| Creators | Hsu, Yu-Ching |
| Contributors | Viardo, Vladimir, 1949-, Harlos, Steven, 1953-, Raschen, Gudrun |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vii, 40 pages : illustrations, music, Text |
| Rights | Public, Hsu, Yu-Ching, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
| Relation | Recital: June 13, 2008, ark:/67531/metadc67581, Recital: April 29, 2009, ark:/67531/metadc86357, Recital: March 19, 2013, ark:/67531/metadc172145, Recital: May 31, 2014, ark:/67531/metadc983894 |
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