Frédéric Chopin produced a remarkable body of piano works. Even though most of his works are essential repertoire in piano literature, some of them remain less familiar. One such significant work is the Allegro de Concert in A major, op. 46, which was apparently intended to be the first movement of a third piano concerto. Despite the praise the work has received, it is rarely heard, and references to performance are lacking in the scholarly literature. Some reasons include the substantial technical challenges, such as risky skips, trills in double notes, thick harmonic textures, complex passagework, and the perpetual motion. This study provides a performance guide for the Allegro de Concert, looking at various perspectives of an informed musical performance. The historical backstory of the intended third concerto and a detailed form analysis demonstrate that the work has a combined form, incorporating elements of both concerto and sonata-allegro form. The chapter on performance presents the technical issues and a comparative analysis of various editions and arrangements of this work to inspire musical ideas and suggest appropriate solutions to the musical and technical difficulties.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1986246 |
| Date | 08 1900 |
| Creators | Jeong, Jiyoon |
| Contributors | Wodnicki, Adam, Puccinelli, Elvia, Lavacek, Justin |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Jeong, Jiyoon, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
Page generated in 0.0023 seconds